Directed by: Gregory Cioffi | 22 min. USA, 2017
The Museum of Lost Things concerns a writer in his late 40s who, while sitting in an all-night diner, tells to an affable waitress the story of his stumbling upon a strange museum on an obscure street in downtown Manhattan. His story takes us through the labyrinths of the museum, where, with the help of a nonchalant museum guard, he encounters exhibition rooms seemingly dedicated to him alone, each one representing a piece of the man’s lost past. Some rooms are filled with objects, such as his lost umbrellas or his lost books, and still others contain aspects of his life that he hardly remembers. In this absurdist mystery, the museum visitor discovers rooms of lost hope, of lost patience, of lost illusions, and is always surprised by what he finds. But will he find what he’s looking for? Will he recapture his past? Or is the museum only a fantasy, one of the writer’s own inventions?
Directed by: Eduardo Montes-Bradley | 50 min. Belgium, Germany, USA, 2018
Born in 1924 to hard working immigrants from Russia, His parents had a candy story in Brooklyn and he vividly remembers the social transformations that followed the Great Depression, a time in which the quite Jewish neighborhood where he grew up, bared witness to the Nazi youth parading swastikas alongside the Stars and Stripes. By 1937, the echoes of Fascism in Europe were an open invitation for thousands to gather at Madison Square Garden where thousands of Hitler sympathizers cheered the speech of rightwing Nationalists.
The fall of 1944 will find Milt amongst the troops of the 106th Infantry Division, on board the HMS Queen Elizabeth on his way to Europe. He was ready to do his part of the American deal, just as his father Jack and done before him in some of the major battles of World War I. Milt’s was going to be an easy ride, after all most of France and Belgium had already been liberated and it was a matter of time before the Third Reich would collapse.
However, on the morning of December 16th Hitler launched a massive offense in the Western Front in what came to be known as The Battle of the Bulge. Private Milton Feldman was capture a few days, then marched and shipped by train on a boxcar to Stalag IV-B, a POW camp deep into German territory.
Now, the elderly gentleman, the veteran of The Bulge, approaching 94, becomes the subject of “Milt Feldman: A Soldier’s Dream”, a documentary by Eduardo Montes-Bradley.
Directed by: Jacob Grodnik | 10 min. USA, 2017
In the hours preparing for America’s first offensive in WWI, a young American soldier leaves his forward post momentarily. Upon returning, he finds his fellow marine missing and is met with German gunfire. He narrowly escapes, only to trip into a foxhole with a German solider. They struggle for their lives. The American sees that the German wears a Star of David around his neck. His last chance at survival is to prove to the German that he himself is also Jewish, in the hopes that one loyalty will outweigh the other. The two young men, in broken English and half-comprehended German connect; describing their homelands, trying to communicate what it’s like to be a Jew in America and Germany.
‘Stamm’ is German for tribe. The film aims to illustrate that we are all of the same tribe, regardless of the arbitrary boundaries of country; there is only one tribe, ‘the human tribe.’ Over 100,00 Jews fought for Germany in World War I, and this is the story of one, whose loyalties are challenged and tested.
Directed by: Richard Goldgewicht | 17 min. USA. Germany, 2018 (animation)
Inspired by the actual correspondence recovered by the couple’s grandsons 80 years later in São Paulo, A Thousand Kisses presents a peculiar love story tainted by the harsh historical context of its time, with a light appeal of irony and real-life poetry.
Directed by: Kenneth O’Brien-LLontop | 11 min. USA, 2018
A book with a marked sheet is what Gretel finds in an old bookstore in Miami. The intimate memory of a past of misery in another country is mixed with the history of the Nobel Prize for Literature Isaac Bashevis Singer in a film that is an essay on exile, literature, and those daily gestures that are shown as beautiful revelations.
Directed by: Paul Allman | 38 min. Belgium, Germany, USA, 2018
This act of bravery would have been forgotten and lost to history, had it not been for the rediscovery of Edmonds’ private journals, by his son, and a chance encounter with one of the surviving POWs.
Chris Edmonds set out to locate the survivors, and discover the truth about his dad during his time as a P.O.W.
Roddie’s story is a testament to how a simple commitment to fairness and equality can make a huge difference in the world.
Directed by: Justin Olstein | 10 min. Australia, 2018
In present-day Melbourne, just after midnight, Naomi is awakened by a frantic young woman on the run. Naomi grapples with a situation that defies reality and, as the night unfolds, she must decide how far she can go to protect her visitor from rapidly encroaching danger.
Directed by: Matt Anderson | 20 min. USA, 2018
A washed-up pianist is hired to train a young piano prodigy who is suffering from stage fright after the death of his father
Directed by: Arnaud Sauli | 66 min. Israel, France, 2018
Aharon’s Childhood (76’) main character is the late great Israeli writer Aharon Appelfeld. The film explores in depth Appelfeld’s writing process in his study and his relationship to a childhood under the shadow of tragedy. Appelfeld talks freely on love, women, Jewishness, Israël and his experience of being an eternal refugee with his French translator Valerie Zenatti. She came to his home to receive his last manuscript, and beyond that his artistic testament. The film has a poetic approach to his literary work travelling in time and space, from carpathian ills to Jerusalem, from 1941 to the present in a Jerusalem café.
Aharon Appelfeld is a survivor, he was until 2018 one of the last writer who survived the Holocaust. His writing elicits breath from a life doomed to death. Born in Ukraine in 1932, he escaped as a child and survived in a forest. Since, cultivating a deep sense of being alive, he is trying to retrieve the voices and faces of the ones who didn’t survive.
Aharon’s Childhood is a love story. Love is embodied in language, in writing, in a relationship eyeing a past and present world. She seizes his words, transmits them in French as an accomplishment of « being simultaneously writer and reader. » He looks at her, wandering what heritage would remain of him in this world.
Directed by: Ted Green & Mika Brown | 118 min. Germany, Israel, Poland, Romania, USA, United Kingdom, 2018
As a 10-year-old ‘Mengele Twin,’ Eva Kor suffered the worst of the Holocaust: being experimented on by the Auschwitz ‘Angel of Death.’ At 50, she launched the biggest international manhunt in history. Now 84, she urgently circles the globe in failing health to promote the controversial lesson her journey has taught: healing through forgiveness. “Eva” tells the full, unvarnished story of this historic figure for the first time. Narrated by Hollywood icon Ed Asner, it features spectacular new footage from Auschwitz, from the Transylvanian hamlet from which Eva’s family was carted off to slaughter, and on a boat off Israel where she first tasted freedom. Interviews include Holocaust experts, celebrities she’s moved (Elliott Gould, Wolf Blitzer, Ray Allen), fellow survivors she’s enraged, and myriad young people whose lives she’s changed — in many cases saved. Eva Kor has emerged as a worldwide spokeswoman for peace — a recent Buzzfeed video has 187 million views — and ‘Eva’ will be her legacy.